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The Same Color

A live color study after Josef Albers, who painted nested squares for twenty-six years to prove you have never seen a color by itself. Nine of his classroom experiments run here in code: one color becomes two, two colors become one, opaque paint becomes glass, a long stare pays out a color no screen can render, a flat gray bends, a weave of royal and gold fuses in the eye, one thread recolors a whole rug, a spinning black-and-white disk conjures color out of nothing, and an endless run of generated Homages continues his series in squares and quarter circles. Every deception is performed fresh, each time, by your own eyes. This one moves; click through and be deceived.

One piece

Josef Albers, Interaction of Color (1963) and Homage to the Square (1950 to 1976). Hand-coded, no images anywhere: the palettes are computed in OKLCH and every square is a div. 1 Corinthians 13:12.

Three flat color plates in a row on a midnight ground: a nested-squares Homage to the Square in russet and amber, a gold and a violet field each holding an identical warm gray rectangle, and a gold sheet crossing a rose sheet whose overlap color makes them read as transparent.
A still from the study: one generated Homage, the two identical centers that refuse to match, and the three opaque paints that read as glass. The real piece is interactive; the plates on the series page perform the deceptions live.

The piece is called

Three Plates

Register
Hand-Coded Color
Made
2026-08-14
Titled by
Gary
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