A man does spiritual warfare the way a tradesman does call-outs: at night, competently, without spectacle. His weapon is a declaration spoken out loud. The demons panic; he does not.
18 pieces
The declarations are Apostle Delmar Coward Jr.’s, from The Way of Fire, not invented for the pictures.

Before any of it. A small clean room with everything unnecessary carried out of it, and a man on the floor with his face in the rug. Nothing is glowing. Nothing is drawn.
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The man who taught him what he knows. He is seventy-odd and he does not stand over anybody. He sits on the floor, takes his glasses off, and talks.
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The light comes down from outside and breaks over him. It never starts in his chest. That distinction is the whole theology of the series and it is the easiest thing in the world to draw wrong.
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Coat on, book in hand, the gold fading off him, turning toward the door. He has already done the part that mattered.
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He lifts a floorboard in an ordinary bedroom. There are no guns under it, only a worn book with hard gold light escaping between its closed pages. His face is not excitement. It is a man who hoped he would not need this tonight.
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He has not drawn anything. He is standing to one side of the door with his hands in his pockets, waiting for them to finish leaving. They are going because he arrived.
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The sentence is the ammunition. He speaks, the words leave the muzzle as a lance of gold, and the thing at the top of the stairs comes apart where they land.
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The loudest frame in the series and the shortest sentence in it.
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Not a boast. A statement of jurisdiction, made out loud, in a flooded underpass, to things that already know it is true.
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The shot hits the thing on the person, never the person. She is standing there unhurt with it coming off her. That distinction is the whole ethic of the series.
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Apostle’s line, and the least intuitive one: do not settle for breaking even. The thief pays back what he stole, with interest.
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The oldest answer in the book, used the way it was first used: quoted back at something that wanted a different answer.
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A legal plea, not an attack. He is not fighting them. He is citing something that was already settled.
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One word. Apostle’s whole book is named for it.
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The only picture here with no readable words in it. He has run out of English and has not run out of things to say.
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The scale is the argument. The smallest figure in the picture is dismantling the largest, and it takes one thread of light and one sentence to do it.
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The only daylight picture here, and the reason the night ones matter. No weapon, no shadows, nothing supernatural. A man at a bus stop among people looking at their phones.
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Dawn. Nothing is on fire, the street is intact, and people are standing around blinking as if they have just woken up. He is already half a block away and does not stay for the thanks.
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